Charles Dickens, Bleak House: Ch. 22

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Mr. Bucket

Allegory looks pretty cool in Lincoln's Inn Fields, though the evening is hot, for both Mr. Tulkinghorn's windows are wide open, and the room is lofty, gusty, and gloomy.  These may not be desirable characteristics when November comes with fog and sleet or January with ice and snow, but they have their merits in the sultry long vacation weather.  They enable Allegory, though it has cheeks like peaches, and knees like bunches of blossoms, and rosy swellings for calves to its legs and muscles to its arms, to look tolerably cool to-night.

Plenty of dust comes in at Mr. Tulkinghorn's windows, and plenty more has generated among his furniture and papers.  It lies thick everywhere.  When a breeze from the country that has lost its way takes fright and makes a blind hurry to rush out again, it flings as much dust in the eyes of Allegory as the law—or Mr. Tulkinghorn, one of its trustiest representatives—may scatter, on occasion, in the eyes of the laity.

In his lowering magazine of dust, the universal article into which his papers and himself, and all his clients, and all things of earth, animate and inanimate, are resolving, Mr. Tulkinghorn sits at one of the open windows enjoying a bottle of old port.  Though a hard-grained man, close, dry, and silent, he can enjoy old wine with the best.  He has a priceless bin of port in some artful cellar under the Fields, which is one of his many secrets.  When he dines alone in chambers, as he has dined to-day, and has his bit of fish and his steak or chicken brought in from the coffee-house, he descends with a candle to the echoing regions below the deserted mansion, and heralded by a remote reverberation of thundering doors, comes gravely back encircled by an earthy atmosphere and carrying a bottle from which he pours a radiant nectar, two score and ten years old, that blushes in the glass to find itself so famous and fills the whole room with the fragrance of southern grapes.

Mr. Tulkinghorn, sitting in the twilight by the open window, enjoys his wine.  As if it whispered to him of its fifty years of silence and seclusion, it shuts him up the closer.  More impenetrable than ever, he sits, and drinks, and mellows as it were in secrecy, pondering at that twilight hour on all the mysteries he knows, associated with darkening woods in the country, and vast blank shut-up houses in town, and perhaps sparing a thought or two for himself, and his family history, and his money, and his will—all a mystery to every one—and that one bachelor friend of his, a man of the same mould and a lawyer too, who lived the same kind of life until he was seventy-five years old, and then suddenly conceiving (as it is supposed) an impression that it was too monotonous, gave his gold watch to his hair-dresser one summer evening and walked leisurely home to the Temple and hanged himself.

But Mr. Tulkinghorn is not alone to-night to ponder at his usual length.  Seated at the same table, though with his chair modestly and uncomfortably drawn a little way from it, sits a bald, mild, shining man who coughs respectfully behind his hand when the lawyer bids him fill his glass.

"Now, Snagsby," says Mr. Tulkinghorn, "to go over this odd story again."

"If you please, sir."

"You told me when you were so good as to step round here last night—"

"For which I must ask you to excuse me if it was a liberty, sir; but I remember that you had taken a sort of an interest in that person, and I thought it possible that you might—just—wish—to—"

Mr. Tulkinghorn is not the man to help him to any conclusion or to admit anything as to any possibility concerning himself.  So Mr. Snagsby trails off into saying, with an awkward cough, "I must ask you to excuse the liberty, sir, I am sure."

"Not at all," says Mr. Tulkinghorn.  "You told me, Snagsby, that you put on your hat and came round without mentioning your intention to your wife.  That was prudent I think, because it's not a matter of such importance that it requires to be mentioned."